I am not exactly a Christmas song hater, but Bastille made me listen to his versions of Christmas songs throughout the whole year.
Is it that the two people in Skulls use religion as an anchor to their new reality? And this religious connection woulf then link to the religious/cult theme in WW? It seems very strange, because the Christmas song is about birth, while Skulls is about death. It is also fun to see people hearing their favorite song that they thought they could sing along, and it turns out to end in such an unusual way.īut anyway, why would the song connect Oh Holy Night and Skulls. When I first heard Tuning Out, I laughed out loud at the transition from the angelic Oh Holy Night to the somewhat demonic-sounding version of Skulls. I would also expect this song to deliver some kind of emotion as a conclusion. From BB (excluding ATBB), WW and DD, I would expect the last song from an album to deliver some kind of connection to other albums. The thrill of hope, the weary world rejoices For yonder breaks a new and glorious morn Fall on your knees O hear the angel voices! O night divine! O night that leads to mornįall on your knees O hear the angel voices! O night divine! O night when Christ was born O night! O holy night! O night divine! Hold me in your arms, hold me in your arms I'll be buried here with you And I'll hold in these hands All that remains O holy night! The stars are brightly shining It is the night of your dear Savior's birth Long lay the world in sin and error pining 'Til He appeared and the Soul felt its worth I’m looking forward to your stories!Īlbum: All This Bad Blood / Other People's Heartache Pt. So please tell what makes this song special for you, what is so good about it, and maybe even why it was written. I’ll post a song every day and we can discuss the ins and outs, from lyrics to personal stories, the meaning and intention of the song, video clip and more.
Hey fellow Bastille fans, here is another daily song discussion, which is exactly what it sounds like.
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